Friday, October 14, 2011

Week 1 - And we're back.

Well, for a lot of non-art people (and even currently working artists), there are numerous questions about how to land on the elusive planet known as the "art world." My background as an artist/professional began 14 years ago with a strong interest in theater stagecraft: set design, painting, lighting and costume design. I worked on numerous productions for a stellar high school theater program (Niles North in Skokie - seriously, look them up), and it was my involvement in all aspects of the stage that got me curious about deeper questions regarding why people create things that seem to serve no function at all. In other words, art.

I had taken art classes as a child too, usually preferring it as an elective to activities like tae-kwon-do and baseball. However, it was nearly a decade later when I met my first real, live, working artist that I knew, "YES, this is what I want to do for the rest of my life!" All illusions of becoming a pediatrician, forensic scientist, Harvard lecturer, [insert tiger-mom dream job here] vanished forever.

These days, I split my time wearing multiple hats to 'live the dream.' It's useful being a jack-of-all trades, but if you have a ferocious vision, that's even better. I apply most of my time in the studio to develop my practice while working part-time as a freelance assistant for other more established artists. I also devote about two days a week working for a contemporary art gallery whose artists show in major international biennales and museums around the country. My 'gallerist/curator' resume was about 10 years in the making, but more on that in a future post.

This week's theme, which is somewhat relevant to being in the art universe (ok, I'm reaaaallly stretching here) is about situational awareness. More specifically, though: HOW TO WATCH REALITY TV!

One of my secret hate to love / love to hate personal traits is that I'm a fanboy of various reality TV iterations: the original seasons of Real World and Survivor, Project Runway and the penultimate -- RuPaul's Drag Race! C.harisma, U.niqueness, N.erve, and T.alent, bitches! In this unique Venn diagram of art and reality TV, somehow I found my moment [Anyone want to make me a jpeg here!? Pics plz].

So here are two tips on enjoying any reality show:

1. Immediately, when the show begins, I pay very close attention to the sound editing and background music that accompanies the introduction of characters. Is the music upbeat and cheerful? Bumbling and oafish? Sad and melancholy? Music is the first indication of how editors want you to feel about certain characters before they've even opened their mouths. When Russell from Survivor walks on 'set' do you hear a hero's anthem or villain music? Does Tanesha from Bad Girls Club seem to have clownish trombones syncopated with her every step, or is it Flight of the Valkyries blasting from the speakers. Watch again. How do sound editors portray characters based on music alone?

2. Any contestant on any reality show that immediately is 'forgotten' by the panel of judges -- whether you're modeling a handbag in roller-skates for The Tyra or cooking pasta using avocado bat foam is D-O-O-O-M-E-D!! The worst sin on any show is to be unmemorable or boring. Better to regret than forget -- that is, stick out even if it's a bad thing rather than trying to blend and fly below the radar. Survivor may be one of the few exceptions, but I usually keep my eye on the character that the judges seem to have lost sight of.

All right, I see the noose coming. Next week a real topic: Curation. What the hell is curation and how do you do it??

Until then. Comments!

Thursday, September 1, 2011

Team-up!


Time
Sunday, September 4 · 4:00pm - 10:00pm

Location
Longman & Eagle
2657 N. Kedzie
Chicago, IL

More Info
JETTISON Quarterly is pleased to announce the release of our Fall 2011 Issue.

In celebration we are teaming up with Longman and Eagle and Old Style for What's Happening!!, an outdoor pig roast and dance party Sunday September 4th featuring the Windy City Soul Club DJ's.

Longman will be hosting a FREE outdoor block party open to all featuring dancing, food, drinks, and all around high fives! So join us at Longman & Eagle this coming Sunday to bring in the new JQ issue and party down with the amazing community that calls the corner of Kedzie and Schubert home away from home.

This issue we've got some of our biggest stories yet. From Jessica Stockholder moving to Chicago to an in depth look at NEXT restaurant. We've also ventured to exploring some of Chicago's other creative industries such as theater with The Inconvenience and design as we explore a new furniture and design shop, The Haymaker, in Andersonville. Pick up your FREE copy at the block party and look for it at your favorite cafe, shop, bar, and gallery in the week that follows. Don't forget to check out the digital issue as well with additional content and photos.

JETTISON Fall Issue 2011 has landed! High Fives JETT Peeps!


Jettison Release Party
@ Longman & Eagle
2657 N. Kedzie
4PM - 10PM

JettisonQuarterly.com

Friday, August 26, 2011

Eye This Guy



Opening this Sunday at one of Chicago's more off the beaten path art tracks:

Volker Saul
Rough Cuts

Devening Projects + Editions
3039 West Carroll
Chicago, IL 60612

I've had the pleasure of meeting Volker when I was studying and living in Cologne, Germany. I was immediately attracted to his bold and simple use of drawing elements for massive wall installations in pristine galleries and raw spaces. At the time, he was also drawing abstract figures directly from oil paint tubes that looked like alien organs undergoing perverse transformations. In 2006, I curated one of Volker's larger wall drawings into a Chicago group show, and he has been exhibiting with Devening Projects ever since.

From the gallery's press release:

For more than 25 years, Cologne-based artist Volker Saul has been amassing an extensive internal database of organic and body-suggestive imagery that continually morphs to satisfy the needs of the most current project. The result of that processing is remarkably varied — drawings, paintings, sculptures, installations, site-specific wall paintings and public sculpture. The pieces presented in Rough Cuts are resolute; the new forms are concentrated, cut out, compositionally efficient and offered up in an emblematic or heraldic presentational format. This laser-cut aluminum work offers a very rich visual and conceptual experience for the viewer. The material is machined to perfection, but the images are provocative and not always with the most appealing associations. Internal organs, appendages, insects, plant forms, and prickly surfaces carry on in exotic circumstances. The results are graphically satisfying but also peculiar, much like the way a disturbing dream troubles well after the images evaporate.

Volker is a dedicated artist whose practice firmly explores the relationship between drawing, sculpture, and space. He has an immediately recognizable style, but the changes in each new body of work shows there is so much left for this mid-career artist to explore.

Thursday, August 25, 2011

Surreality

It's confirmed. I will appear as a contestant on Work of Art, premiering on Bravo Oct 12 at 9/8pm central.

What does that mean? My flesh, thoughts, and words will be recorded, remixed, and disseminated virtually and electronically. I'm myself but no longer just a part of myself. I'm entering the public sphere where my persona is fair game -- for praise and attack. It may only last 15 minutes, but the entertainment value will forever play on a loop.

I'm excited to collapse several walls between art, life, and entertainment. It's time to dance in the rubble because I'm in it to win it. I'm going viral!

Thursday, March 11, 2010

A Quiet Beginning

This blog intends to blend musings about art, adventure, time, travel, distance, love, and life. The further I explore artmaking, I understand that I am not interested in creating a separation between the process of making from the realities of living. I don't care to create a separate identity as an artist to use as a shield against interaction with others. Empathy is wonderful, but let's stop shapeshifting. I'll show you mine if you show me yours...